This new addition to the Inquestor series is as fresh as the four previous volumes were 30+ years ago. beautiful and cruel, the worlds somtow evokes vivid but evanescent, like dreams.
Chronicles of the High Inquest: Homeworld of the Heart:
The Fifth Novel in the Inquestor Series
After forty years, S.P. Somtow has produced a fifth novel in the Chronicles of the High Inquest, one of the most lauded galactic empire epics of the 1980s. Critically acclaimed yet never previously in print as a complete set, the series has passionate adherents — and they have finally persuaded the author to enrich the universe with more novels. Homeworld of the Heart is the first of a trilogy within a trilogy.
The songs of Sajit were known and loved through the million worlds of the Dispersal of Man. He was the favorite of Elloran, most powerful, most compassionate of the godlike Inquestors — even, it was rumored, his lover. In his old age, Ton Elloran visits a backwater planet that purports to contain the tomb of Sajit. A nostalgic visit to his childhood companion birth planet, however, reveals that everything he thought he knew about his closest friend was wrong — and that there were at least two Sajits, their stories bifurcating and melding in an ever more complex skein of memory, desire, and loss. Homeworld of the Heart begins in a small village in a backworld — where a microscopic glitch in Inquestral management has caused two contradictory games of majrúgh to be played out. People bins are raining from the sky, a city is devouring another city, and a goddess must learn to become a whore as cultures and worlds clash.
The Inquestor Series is like Game of Thrones — but on a galactic scale. For twenty centuries, the godlike Inquestors have ruled the million worlds of the Dispersal of Man, keeping all its disparate civilizations in precarious balance by playing the star-destroying game of makrúgh.
Theodore Sturgeon said “Somtow deals with the greatest magnitude of concept since Stapledon … I deeply envy anyone who has not read the tale of the Inquestors, for they have before them this transcendent experience.”
Orson Scott Card said of this series, “he can create a world with less apparent effort than some writers devote to creating a small room …” and in HOMEWORLD OF THE HEART Somtow revisits and vastly expands the teeming landscape of the Inquestor series.
About the Author
S.P. Somtow, Once referred to by the International Herald Tribune as ‘the most well-known expatriate Thai in the world,’ Somtow Sucharitkul is no longer an expatriate, since he has returned to Thailand after five decades of wandering the world. He is best known as an award-winning novelist and a composer of operas.
Born in Bangkok, Somtow grew up in Europe and was educated at Eton and Cambridge. His first career was in music and in the 1970s, his first return to Asia, he acquired a reputation as a revolutionary composer, the first to combine Thai and Western instruments in radical new sonorities. Conditions in the arts in the region at the time proved so traumatic for the young composer that he suffered a major burnout, emigrated to the United States, and reinvented himself as a novelist.
His earliest novels were in the science fiction field and he soon won the John W. Campbell for Best New Writer as well as being nominated for and winning numerous other awards in the field. But science fiction was not able to contain him and he began to cross into other genres. In his 1984 novel Vampire Junction, he injected a new literary inventiveness into the horror genre, in the words of Robert Bloch, author of Psycho, ‘skillfully combining the styles of Stephen King, William Burroughs, and the author of the Revelation to John.’ Vampire Junction was voted one of the forty all-time greatest horror books by the Horror Writers’ Association, joining established classics like Frankenstein and Dracula. He has also published children’s books, a historical novel, and about a hundred works of short fiction.
In the 1990s Somtow became increasingly identified as a uniquely Asian writer with novels such as the semi-autobiographical Jasmine Nights and a series of stories noted for a peculiarly Asian brand of magic realism, such as Dragon’s Fin Soup, which is currently being made into a film directed by Takashi Miike. He recently won the World Fantasy Award, the highest accolade given in the world of fantastic literature, for his novella The Bird Catcher. His seventy-plus books have sold about two million copies world-wide. He has been nominated for or won over forty awards in the fields of science fiction, fantasy, and horror.
After becoming a Buddhist monk for a period in 2001, Somtow decided to refocus his attention on the country of his birth, founding Bangkok’s first international opera company and returning to music, where he again reinvented himself, this time as a neo-Asian neo-Romantic composer. The Norwegian government commissioned his song cycle Songs Before Dawn for the 100th Anniversary of the Nobel Peace Prize, and he composed at the request of the government of Thailand his Requiem: In Memoriam 9/11 which was dedicated to the victims of the 9/11 tragedy.
According to London’s Opera magazine, ‘in just five years, Somtow has made Bangkok into the operatic hub of Southeast Asia.’ His operas on Thai themes, Madana and Mae Naak, have been well received by international critics.
Somtow has recently been awarded the 2017 Europa Cultural Achievement Award for his work in bridging eastern and western cultures. In 2020 he returned to science fiction after a twenty-year absence with “Homeworld of the Heart”, a fifth novel in the Inquestor series.
To support S.P. Somtow’s work, visit his patreon account at patreon.com/spsomtow.